[oqstc] Download Faber Serif Pro fonts from ingoFonts

Designed by Ingo Zimmerman, Faber Serif Pro is a serif font family. This typeface has ten styles and was published by ingoFonts.

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Faber Serif is the Roman typeface which was born out of the sans serif design Faber Sans. The proportions are nearly identical to those of Faber Sans.

In comparison, Faber Serif has heavy — although very short — serifs. The character of contrasting strokes is not very pronounced; therefore, this font is closely related to the first Roman typefaces from the 15th century. The Kursiv (Italic) also has very reserved serifs, which are quite appealing to modern reading habits.

Several OpenType-Features are included in Faber Sans, which can be turned on and off as required:
• Stylistic Alternates: replaces the letters a, g, l by the alternate glyph, also in ligatures.
• Ligatures: replaces the letter combinations fi, fl, ff, ffi, ffl, ft, tt, Th with the corresponding ligature.
• Discretionary Ligatures: replaces ch, ck, mm with the appropriate ligature and SS with capital-ß.
• Tabular Figures: replaces proportional standard figures with tabular non-proportional figures.
• Medieval Figures: replaces standard figures with medieval figures, which have ascenders and descenders like the lowercase letters.
• Fractions: replaces the glyph combinations 1/2, 1/3, 1/4 etc. with the according fractions.
• Slashed Zero: replaces the normal »open« 0 with a slashed zero.
• Small Caps: replaces uppercase letters with small capitals at the optical height of x.
• Historical Forms: replaces s with „long s“.
• Stylistic Set 1: replaces the numbers 1 through 20 with circled numbers.
• Stylistic Set 2: replaces the standard figures 1 through 20 with negative circled numbers.
• Stylistic Set 3: replaces the »two-story« a with the »round« alternate.
• Stylistic Set 4: replaces the »straight« l with the alternate form »with a hook«.
• Stylistic Set 5: replaces the »two-story« g with the »round« alternate 

Faber Serif perfectly matches with Faber Sans!

Faber Serif Pro

[pibaq] Download TT Ricks fonts from Typetype

Designed by Anna Tikhonova and TypeType Team, TT Ricks is a display serif font family. This typeface has four styles and was published by Typetype . Download Now Server 1 Download Now Server 2 Download Now Server 3 Important information! There is no Cyrillic support in TT Ricks ! We are glad to present you the new font TT Ricks , which continues the line of trendy and yet affordable TypeType Starter Kit fonts. TT Ricks is a flamboyant elzevir-type serif, for which the words “cute” or “calm” are not a fitting definition. TT Ricks can be classified as a display title typeface that works especially well at large and medium sizes in packaging design, book graphics and posters. The typeface is inspired by the pre-digital font “De Vinne”, which was designed in 1892 by the designer Gustav F. Schroeder. We liked certain aspects of the historical prototype, but at the same time, when creating TT Ricks , we did not want to limit ourselves—on the contrary, we were eager to discover a

Organic Tuesday fonts from Bogstav - (tudvd)

Designed by Jakob Fischer, Organic Tuesday is a brush display font family. This typeface has two styles and was published by Bogstav . Download Now Server 1 Download Now Server 3 Download Now Server 2 Sometimes you need things organised in a neat way. Organic Tuesday has that, but also a will to break free at the same time. Years ago I was at a restaurant where the menu was handwritten with a clumsy, but characteristic and charming, monospaced font. I must have focused so much on these letters that I can’t recall what I actually ate. But what I do remember is that it was a Tuesday, and the restaurant was organic! Organic Tuesday

Asgard fonts from Zetafonts - (idyuv)

Designed by Francesco Canovaro, Andrea Tartarelli and Mario De Libero, Asgard is a display sans and sans serif font family. This typeface has seventy-three styles and was published by Zetafonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Francesco Canovaro designed Asgard as a way to mix his passion for the raw energy of extra bold sans serif typography with the expressivity of high contrast and calligraphy-inspired letterforms. He built the typeface around a strong geometric sans skeleton, to make the letters feel solid and powerful while using wood-type vernacular solutions to solve density through high contrast details. The typeface name was chosen as an homage to the mythical homeland of the Norse Gods, evoking a land of fierce warriors, power and strength - but also of divine, delicate beauty. Thanks to the help of Andrea Tartarelli and Mario de Libero the original design was extended along with the design space, expanding the numb

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